Monday, February 17, 2020

Kasim Sulton

<a class="spreaker-player" href="https://www.spreaker.com/episode/22875647" data-resource="episode_id=22875647" data-width="100%" data-height="200px" data-theme="light" data-playlist="false" data-playlist-continuous="false" data-autoplay="false" data-live-autoplay="false" data-chapters-image="true" data-episode-image-position="right" data-hide-logo="false" data-hide-likes="false" data-hide-comments="false" data-hide-sharing="false" data-hide-download="true">Listen to "Kasim Sulton From Utopia Back On Tour" on Spreaker.</a><script async src="https://widget.spreaker.com/widgets.js"></script>



World renowned bass player Kasim Sulton will once again be celebrating his longtime association with the ground breaking progressive rock band Utopia and their legacy by performing a limited number of shows consisting entirely of Utopia music with a full band. The set list will be comprised of songs hand-picked by Sulton, spanning the 10 albums he appears on, including deep cuts as well as many more familiar songs.

Sulton joined Utopia in 1976 when the group settled into it's most recognizable quartet of Todd Rundgren (guitar, vocals), Kasim Sulton (bass, vocals), Roger Powell (keyboards, vocals), and Willie Wilcox (drums, vocals). All four band members wrote, sang, produced, and engineered the material on their critically acclaimed albums. Sulton wrote and sang lead on Utopia's biggest hit, "Set Me Free," from their best-selling album Adventures in Utopia (1980), which reached #27 on the Billboard Top 40 charts.

"My career began with Utopia," says Sulton. "I can't think of a better way to honor my work with Todd, Roger, and Willie than to do a string of performances that showcase the special and unique music we created together." The tour kicks off Friday, February 28 in Washington D.C.

Singer, songwriter, and multi-instrumentalist Kasim Sulton is recognized and   respected the world over as a solo artist, and for his work with other artists including Todd Rundgren and Utopia, Meat Loaf, Joan Jett, Hall & Oates, Richie Sambora, Patti Smith, Patty Smyth, Mick Jagger, Blue Oyster Cult, and Don Felder to name just a few. He has added his esteemed input to a variety of projects, ranging from playing bass, keyboards, and/or guitar, to adding vocal harmonies, singing lead, and contributing as a songwriter, to producing entire albums, as he did with the Meat Loaf VH-1 Storytellers CD, released in 1999. His latest release, Live Bootleg - recorded in 2015 at The Cutting Room in NYC and Hotel Utah in San Francisco - features Kasim Sulton solo material and Utopia songs.

Friday, February 14, 2020

Doris Kearns Goodwin



<a class="spreaker-player" href="https://www.spreaker.com/episode/22766902" data-resource="episode_id=22766902" data-width="100%" data-height="200px" data-theme="light" data-playlist="false" data-playlist-continuous="false" data-autoplay="false" data-live-autoplay="false" data-chapters-image="true" data-episode-image-position="right" data-hide-logo="false" data-hide-likes="false" data-hide-comments="false" data-hide-sharing="false" data-hide-download="true">Listen to "Doris Kearns Goodwin Executive Producer Of Washington On History" on Spreaker.</a><script async src="https://widget.spreaker.com/widgets.js"></script>

Catch up with world-renowned presidential historian and Pulitzer Prize®-winning, New York Times #1 bestselling author Doris Kearns Goodwin. She executive produced the miniseries that aims to bring to life the man whose name is known to all, but whose true story is understood by few.

Most know that George Washington was a general, crossed the Delaware, led the Continental Army to victory over the British, was America’s first President and is the face on the dollar bill – but few know his entire epic story. Over the course of a three-night television event, “Washington” will weave together dramatic live action sequences, excerpts from Washington’s letters and insights from a roster of notable experts, historians and scholars to tell a very personal story about the evolution of one of history’s most iconic leaders. The miniseries will examine Washington’s transformation from a young man whose sole ambition was to rise to the highest ranks of colonial society, into a determined revolutionary who led a rag tag army against the British Empire. Ultimately, he would become the reluctant leader of a fledgling new nation and lay the foundation for its eventual emergence as the world’s greatest superpower.

The series will feature interviews with President Bill Clinton, former Secretary of State Colin Powell, and many others.

Doris Kearns Goodwin is an American biographer, historian, and political commentator. She has written biographies of several U.S. presidents, including Lyndon Johnson and the American Dream; The Fitzgeralds and the Kennedys: An American Saga; Team of Rivals: The Political Genius of Abraham Lincoln; and The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism. Goodwin's book No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II won the Pulitzer Prize for History in 1995. Some of her books have been adapted into TV miniseries and films.

Peter Noone

<a class="spreaker-player" href="https://www.spreaker.com/episode/22766478" data-resource="episode_id=22766478" data-width="100%" data-height="200px" data-theme="light" data-playlist="false" data-playlist-continuous="false" data-autoplay="false" data-live-autoplay="false" data-chapters-image="true" data-episode-image-position="right" data-hide-logo="false" data-hide-likes="false" data-hide-comments="false" data-hide-sharing="false" data-hide-download="true">Listen to "The Legendary Peter Noone From Hermans Hermits" on Spreaker.</a><script async src="https://widget.spreaker.com/widgets.js"></script>



British pop icon and multi-faceted performer Peter Noone has been awarded 2019's CEA (Casino Entertainment Awards) Entertainer Of The Year. The ceremony took place at Vinyl in the Hard Rock Casino Las Vegas. Noone beat out famous musical luminaries Barry Manilow and Dwight Yoakum. Of the award, Noone commented, "Quoting from the song he recorded at age 16, 'Something tells me I'm into something good". Presented by Global Gaming Expo (G2E), the Casino Entertainment Awards are the official awards exclusively honoring outstanding artists, executives and venues in the casino entertainment industry.
In other Peter Noone news, Noone continues to tour the United States with Herman's Hermits Starring Peter Noone tour dates. Accompanied by his band, he plays more than 200 shows a year performing hits spanning his impressive career and more. His show is unparalleled, a thoroughly enjoyable mix of music, comedic commentary and audience interaction. Since 2012, Peter Noone can be heard weekly on his show, "Something Good With Peter Noone" on Sirius XM's Sixties On Six channel. Please see below for tour dates with more to be announced for 2020.

Mark A Altman

<a class="spreaker-player" href="https://www.spreaker.com/episode/22765368" data-resource="episode_id=22765368" data-width="100%" data-height="200px" data-theme="light" data-playlist="false" data-playlist-continuous="false" data-autoplay="false" data-live-autoplay="false" data-chapters-image="true" data-episode-image-position="right" data-hide-logo="false" data-hide-likes="false" data-hide-comments="false" data-hide-sharing="false" data-hide-download="true">Listen to "Mark A Altman Releases The James Bond Book Nobody Does It Better" on Spreaker.</a><script async src="https://widget.spreaker.com/widgets.js"></script>



As excitement keeps building for the new Bond flick No Time to Die Bond fans may need something to tide them over until the movie comes out... The perfect solution? NOBODY DOES IT BETTER: The Complete, Uncensored, Unauthorized Oral History of James Bond (Forge Books, On-Sale: February 11, 2020) by bestselling authors Mark A. Altman and Edward Gross, a must-read for all Bond fans this winter.
They've voyaged through the history of Star Trek (The Fifty Year Mission), fought their way through all the behind-the-scenes of Buffy the Vampire Slayer (Slayers & Vampires), and traced the evolution of Battlestar Galactica (So Say We All). Now, the critically-acclaimed and bestselling authors Mark A. Altman and Edward Gross return to chronicle one of pop culture's longest-lasting franchises with NOBODY DOES IT BETTER: The Complete, Uncensored, Unauthorized Oral History of James Bond.
For over five decades, the cinematic adventures of James Bond have thrilled moviegoers. Now, Altman and Gross take you behind-the-scenes of the most famous and beloved movie franchise of all-time filled with reflections from over 150 cast, crew, critics and filmmakers who reflect on the impact of this legendary movie franchise as well as share their thoughts about their favorite (and least) favorite 007 adventures and spy mania which gripped fans the world over in the wake of the success of the James Bond films.
As Kirkus recently praised, "Die-hard Bond fans will delight in this compendium." From Sean Connery to Daniel Craig, Dr. No to Spectre, there's so much fascinating insider information for Bond devotees or anyone interested in one of the most essential chapters of Hollywood history (and of course, NOBODY DOES IT BETTER is best read shaken, not stirred).

Ryan Jay Reviews

<a class="spreaker-player" href="https://www.spreaker.com/episode/22771543" data-resource="episode_id=22771543" data-width="100%" data-height="200px" data-theme="light" data-playlist="false" data-playlist-continuous="false" data-autoplay="false" data-live-autoplay="false" data-chapters-image="true" data-episode-image-position="right" data-hide-logo="false" data-hide-likes="false" data-hide-comments="false" data-hide-sharing="false" data-hide-download="true">Listen to "Ryan Jay Reviews Downhill, The Photograph And Sonic" on Spreaker.</a><script async src="https://widget.spreaker.com/widgets.js"></script>



Valentines Day Weekend and two of the big releases in theaters this weekend totally miss the boat on bringing couples love peace and happiness. Ryan believes the trailer for Downhill is totally wrong and misleading while The Photograph seems to be more in love with its Jazzy soundtrack then the story. The big winner is Sonic!

Pod-Crashing Episode 43 Love Stories

<a class="spreaker-player" href="https://www.spreaker.com/episode/22743569" data-resource="episode_id=22743569" data-width="100%" data-height="200px" data-theme="light" data-playlist="false" data-playlist-continuous="false" data-autoplay="false" data-live-autoplay="false" data-chapters-image="true" data-episode-image-position="right" data-hide-logo="false" data-hide-likes="false" data-hide-comments="false" data-hide-sharing="false" data-hide-download="true">Listen to "Pod-Crashing Episode 43 Love Stories" on Spreaker.</a><script async src="https://widget.spreaker.com/widgets.js"></script>



Pod-Crashing Episode 43 Love Stories

Today while sharing a conversation with published author Allison Ashley we spent a little time discussing the digital process.  With the enormous amount of success murder and suspense podcasts have been experiencing, how far are we from everlasting love stories from becoming podcast seasons and episodes?
It doesn’t seem like anything knew right?  Books on Tape was huge four decades ago whereas today Audible has picked up the reins.  Kindle Unlimited has their connection and off to the side are the little guys like Chirpbooks.com who promise audio books up to 95% off. 
Ronan Farrow has lifted the level of the experience.  Rather than dropping words and paragraphs onto the vocal tracks, his podcast The Catch And Kill totally breathes new life into the soul of published books.  Ronan shares the story.  He’s not reading it.  He’s developed a solid relationship with his followers in the way of saying, “This is not only how I lived it but why, when and where.”       
Can that same approach be used with a love story?  The narrator actually being a fly on the wall.  The author discussing their story rather than reading it by way of well edited structure.  Bill Burr is very good at taking his podcast into an area of, “Hey how are ya!  Welcome to my house.  Want a beer?  Damn I’ve got a lot on my mind. Pull up a chair and let’s swap some talk.” 
Radio Hall of Famer John Hancock once said to me, “Formatics and structure are there if you need it.  Connections begin with trusting your research and show prep then do nothing more than talk about it.  Don’t force it.  Don’t try to impersonate someone you like listening to.  Just talk about it.  You and that person on the other side.  You don’t need to know their name.  Maybe one day.  Right now you’re just trying to have a conversation.”
While in a moment with Allison Ashley the edge of my universe was interrupted by a fear for love story authors’ gone podcast.  Can you sell a book if what you’re pouring the energy of the storytelling into a pair of earbuds? 
Part of what drew me closer to podcasting was having the free spirit to promote promote promote.  In late 2012 I announced to my blogging community that I was leaving to write a book.  I invited them to tag along by way of this thing I just learned about.  They call it podcasting.  I’m not sure.  Yet I feel a huge pull to begin from a seed and let something I can’t see grow. 
As the chapters were coming together I used the digital talk box to not only share the uphill struggles, out of control inner visions but to take my sentences and set them on this new platform all in the name of seeing if a strong love story can actually be the subject of conversation without it sounding like its being read?
Not an easy task.  Mainly because of the radio background I was carrying.  Radio people and Podcasters are two completely different performances and expressions.  The book is titled Scrambled Eggs.  Because I’m all about branding.  Everything had to somehow feature the title.  So I dubbed the podcast Scrambled Egg Shells.  It lasted thirteen episodes and or thirteen of the fifty three chapters on the View from the Writing Instrument platform.
I returned to it today.  The first time I’ve heard it in seven years.  As a radio person we were painstakingly trained to turn a liner card into a conversational subject.  Liner cards versus chapters paints the perfect picture of me standing next to Godzilla and he’s in the mood to battle. 
I do believe love stories can be talked about rather than read. I strongly feel the next level of podcast play should be where readers want to take their imaginations.  Not by hearing their own voice reading the story but to experience by showing up as a listener.  Less work when that’s all you have to do. 
Back to the fear I had for Allison Ashley.  While in the midst of creativity sharing my heart spoke out, “Get off the subject.”  Ok here’s the reason why.  Podcasting is listening on demand.  How much money are listeners putting in the jukebox to hear your art?  Yeah I know, let’s get sponsors!  I mean Jack Brennan has them with Disgraceland.  So can we!  Not an easy of a task. 
Putting the book out there on a podcast at no cost is a hardcore first step toward bringing an injury to the inner core of why the book even exists. 
I know why I stopped recording.  I wasn’t convinced that I was selling books.  Wait! Wait!  We’ve gotta break it down.  The thirteenth episode was posted on April 28, 2014.  The digital world wasn’t anywhere near what we’re experiencing today.  I remember sitting in the production room with my face in my hands.  I was screwing up the process of connection.  In looking back the author who had spent two years writing the book wasn’t liking the idea of sharing it as a podcast.  How dare the radio person try and dominate this project!
Through inflection readers turned listeners could hear my interpretation of Scrambled Eggs.  They didn’t see the pictures hung on the walls of their imagination through their eyes meeting the page.  Until I came across Ronan Farrow the idea of gripping onto a listener’s heart and lightly tugging on it was something Casey Kasum had mastered on American Top 40.  It never felt like he was following a script.  He was sharing a story.     
Evolution is a cool thing.  Moving through the emotional mountains podcasters make then detonate requires honesty, persistence, perseverance, loyalty and more importantly patience bathed in forgiveness.  The writer in me had to figure it out.  To make nice with the radio guy.  To have playdates while taking long walks through late night battles with ideas and failures. 
Here’s the fun part about all of this.  If you want to podcast do it.  You don’t have to be as passionate.  That’s my sickness.  But somewhere along the journey.  Right before you say I quit.  The chewed up seed in your stomach is gonna pop out a tiny little green leaf.  Suddenly it’s no longer about reading but sharing a story.  Test the waters endlessly.  Build and rebuild constantly.  Gift yourself with a mental bikini wax then rip out the stuff you don’t need.
What’s the moral of the story?  Not everybody is blessed to have writers, producers, promoters and managers pushing your name and branding through the eye of a needle.  Joe Rogan announced last week that there are 900,000 different podcasts out here to choose from.  It’s not slowing down.
Yes love stories will make it to podcasting.  Guys will secretly listen to them.  When any story is shared right.  There’s always going to be an attraction.  Live in the moment.  While there do all you can to share some love with the podcasters that show up to bring you an incredible place to escape.

Thursday, February 13, 2020

Kiara Brown

<a class="spreaker-player" href="https://www.spreaker.com/episode/22741883" data-resource="episode_id=22741883" data-width="100%" data-height="200px" data-theme="light" data-playlist="false" data-playlist-continuous="false" data-autoplay="false" data-live-autoplay="false" data-chapters-image="true" data-episode-image-position="right" data-hide-logo="false" data-hide-likes="false" data-hide-comments="false" data-hide-sharing="false" data-hide-download="true">Listen to "Kiara Brown Makes It To NBC&#39;s The Voice" on Spreaker.</a><script async src="https://widget.spreaker.com/widgets.js"></script>



Kiara began singing before she could talk and started performing at 11 through the Collabo Youth Theater. From a young age, she was inspired to use music to make a positive difference in people's lives. Two years ago, Kiara was asked by the White House to sing the National Anthem at an event to raise awareness about campus violence. That same year, after the 2017 Las Vegas shooting, she wrote a folk song called "58 Stars" for the 58 people who lost their lives that day. She was asked to perform the song at the memorial and later at a tribute benefit. Kiara comes to "The Voice" hoping to continue to touch people with her music.